And then they even came up with ideas like hidden padded floors for the body slam and watched street fight videos for some of the other movements. They built a fake room out of boxes and scripted the action. When it came to the actual battling, the stunt team worked for months on the choreography of the scene. so they would need a really detailed sound design to give the audience an idea of what's going on as well as some well-placed lights in the rooms to give us something to make out the movements. Upon reading the scene, Fincher knew he wanted to make this a fight scene that happens almost exclusively in the dark. So from the get-go, this is a scene where things have not gone according to plan. It all starts with the script, which shows a character planning to kill someone else with a simple plan, which then turns into a fistfight. So how do you shoot and block a scene like that? This encounter leads to a significant confrontation, including a lengthy fight, before The Killer eventually shoots The Brute and escapes. The harrowing fight scene takes place during the film's fourth chapter, where The Killer identifies The Brute in St. His results on the Color Blindness test were identical: he is definitely color blind, and the Enchroma glasses didn't change his results at all they stayed precisely the same.ĭavid Fincher and 'The Killer' Crew Break Down the Brute Fight Sceneĭavid Fincher's film The Killer, featuring Michael Fassbender in the lead role, includes a notable fight scene known as "The Brute vs. At the end of two weeks of wearing the Enchroma glasses full time, we sat down with Charles again to identify how the glasses might have affected his vision. We decided to give the Enchroma glasses time to work, and Ryan agreed to wear them full-time for a week to see if he experienced improvement. We retook the Ishihara test and gave Charles time to match the shots in Resolve again, but the results didn't change with glasses or without. While Charles didn't have that experience, he did notice a difference, and the Enchroma instructions did say to wear them full-time and improved color vision could take awhile. Credit: Apple ColorĮnchroma promotes videos across its social platform that show filmmakers being amazed at how effective their glasses are when put on for the first time, with videos of people being truly shocked to see the world in color like they never have before. First, he tried matching them without the glasses, then with the glasses.įirst attempt from a color blind colorist to match two shots. We then gave him a demo reel of clips (from the old Apple Color training series) to practice matching in Resolve. Charles the standard Ishihara test for color blindness, which gave us the result that he is a "weak deutan." Since he already knew he was color blind, this came as no surprise. We also assumed many color blind filmmakers (such as Christopher Nolan, among many others) would be curious about the glasses. Of course, we know that a final color grade should likely be left to someone with full spectrum color vision, but many editors like to balance a shot here or there when the native balance being off might affect the perception of an editing choice. We decided to put them to the test to see if an editor we know, Ryan Charles, who himself suffers from color blindness, would be able to more effectively color grade projects after using the glasses. Enchroma glasses have been in the news this year for the exciting fact that they claim to offer increased color spectrum visibility to people with mild forms of color blindness.
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